Founded upon my theoretical and historiographical exploration on contemporary interdisciplinary art, my art practice finds its insights on subjects including concepts of fluidity between being demarcated/un-demarcated, acts of drawing/confusing lines, and stratified landscapes of synthetic division of ideas. With flexibility towards creative means, my practice is occasionally cultivated by the act of making itself.
c for
2019 | moving image | 01:03
Sometime Soon, Maybe You’ll See
2020-2022 | sheets of imitation vellum, one of which is printed
The Building Imitator
2019 | Musashino Art University, Takanodai Campus, bld #10
Drawings
2020 | multimedia on imitation vellum
Chinatsu Igarashi 